a marketing agency for the companies that run music: record labels, publishers, management and touring companies, festivals and music-tech. the work is the part of marketing that compounds and that you keep: the label named when people ask ChatGPT and Google's AI, found on Google for what it sells, a platform on the label's own domain with its own customer list, the press page and the releases on that domain, and a knowledge panel for each executive. no ads bought on your behalf, no playlist placements, no follower campaigns.
from $25,000 a month, six months minimum, for one company and its roster. each part is also sold on its own: AI search $25,000 once, SEO from $10,000 a month, the panel $9,000.
six parts. every one of them leaves something on your domain, in your name.
for the company
the label, the publisher or the company named when people ask ChatGPT, Google's AI, Claude, Copilot and Perplexity for what it does, built from each company's own published guidance. before and after, recorded. the full offer.
for the company and the roster
found on Google for what the company sells: titles in the buyer's words, structured data, the roster and release pages, local search where there is a room, Search Console and Bing in your name. the full offer.
for your own domain
the site, the catalog and the store on a domain the company owns, with checkout in its own account and the customer list in its own CRM, so every campaign builds something you keep. record label platforms.
for digital PR, on your domain
the press page and the kit for the company and its executives, and every release published on your own domain first, dated and marked up, so the record of what you did lives where you control it. the press kit.
for the people who run it
a knowledge panel on the name of each executive, the company linked to the person and back, and the claim so each can correct their own. the people panels.
for every month, in writing
Search Console and Bing for the search side, the AI tools asked signed out and recorded for the answer side, the store's own numbers for the sales side. one note a month that says what moved and what is next.
one retainer for a company and its roster, or each part on its own.
a label platform: one operator, three properties, one build.
live:burncounty.comburncountymusicburncountymedia
read the case studya beat store and licensing engine, off the marketplace.
live:jakeangelbeats
read the case studya preset store with per-sale delivery terms.
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read the case studyStudio Raine was founded by Raine, an ai engineer and a musician. ai engineering at Google, Meta, Microsoft and Scale AI since the start of the ai hype, a working catalog and released records on the music side. the studio is in New York City and works for labels, studios, producers, engineers and artists everywhere.
more about the studiomost run campaigns: ads, playlists, creators, publicity, for a release or a tour. Studio Raine does the other half, the part that compounds: the company named in AI answers, found on Google, on a platform it owns, with its press record on its domain and a panel on each executive. the campaign agencies on the compared page say what they do in their own words.
from $25,000 a month, six months minimum, for one company and its roster. each part is also sold alone: AI search $25,000 once, SEO from $10,000 a month, the panel $9,000.
no. we do not sell ads, playlist placement, creator campaigns or follower growth, and we do not buy them for you. if you run those with another agency, the platform and the press record we build are what their campaigns land on.
the press page, the kit and the releases on your own domain, yes. placing stories with journalists, no. the publicity firms in New York do that, and the record we build is what they send.
the pages built or changed, the releases published, the corrections sent, the AI tools asked again and recorded, the search numbers read, and one note in writing with what moved and what is next.
yes. the studio is in Brooklyn, New York, at 26 Fayette Street, and works with labels and music companies everywhere. the New York publicity firms a label might pair the work with are on the music PR firms in NYC page.
because the work depends on knowing how a release, a catalog, a roster and a credit work, and on the records (ISRC, UPC, the repertoire databases, the chart and certification sources) that make a music company's facts checkable. that is the whole practice, and nothing else is taken on.
one message with the label, the roster or the catalog. we send back what Google and the AI tools say about it today.
